JimmyNotes: Actually not a bad review but missing more exploration of some elements in the prompt. And, the dreaded 'In conclusion," returns.
Here, starring the beloved Tom Hanks, takes audiences on an ambitious journey that ultimately feels more frustrating than fulfilling. Hanks, often lauded as a national treasure, brings a natural warmth and introspective quality to his roles, qualities that have resonated through his career. Known for films that make viewers think, laugh, and even feel nostalgic, Hanks has often been at the center of stories that offer emotional depth, as seen in recent films like A Man Called Otto. Unfortunately, Here falls short of this standard, lacking the cohesion and nuance expected from such a seasoned actor.
The concept behind Here is intriguing. Based on the graphic novel by Richard McGuire, it explores how a single space can transform over time, capturing moments both monumental and mundane. The film weaves through different time periods, attempting to capture life’s fleeting beauty in its shifting scenes. Yet, rather than evoking a sense of wonder, Here struggles to find a consistent rhythm. The fragmented storyline and abrupt transitions between scenes detract from what could have been a powerful meditation on time and place.
One of the main challenges in Here is its constant shifts, both in time and tone, which feel more jarring than impactful. The film repeatedly shifts between decades, attempting to show the passage of time and the evolution of its setting. However, instead of achieving a seamless flow, these jumps are often abrupt, creating a sense of disconnection. Rather than inviting viewers to sink into each moment, the film’s structure feels disjointed, making it difficult to stay engaged or to fully appreciate the individual scenes.
The sound design further compounds this sense of fragmentation. In some scenes, sounds clash, creating an almost discordant effect that jars the viewer rather than enhancing the atmosphere. The intent may have been to reflect the chaotic ebb and flow of life, but the execution leaves much to be desired. Instead of immersing the audience in the film's world, the sound choices often pull them out of the experience, leaving them acutely aware of the film’s construction rather than its message.
Here also struggles with unfinished or overlooked storylines, which leave many scenes feeling hollow. The film seems to introduce potential subplots or character insights, only to move on without fully exploring them. This lack of follow-through is disappointing, especially when it involves an actor like Hanks, who has a talent for bringing depth to his characters. Without fully developed storylines, Here feels like a collection of disconnected moments, rather than a cohesive narrative that resonates emotionally.
Hanks’s presence in Here is, as always, comforting. He brings a sense of gravitas to the role, attempting to ground the film in something relatable. However, even his performance cannot entirely counteract the film’s structural weaknesses. His character comes across as one-dimensional, not due to any fault of Hanks, but because the screenplay does not give him enough material to fully explore. The character seems to drift through scenes, a passive observer in a film that lacks the clarity to make his journey compelling.
One word that captures the experience of watching Here is "annoying." This may seem harsh, especially given the thoughtful premise and Hanks’s typically strong performances. But the film’s missteps—its chaotic transitions, distracting sound design, and incomplete subplots—accumulate, making it difficult to enjoy the experience fully. Instead of offering insight or emotional resonance, the film leaves viewers with a sense of irritation, a feeling that Here could have been so much more if only its elements had been harmonized.
In conclusion, Here earns a 6 out of 10, reflecting a film that, despite its star power and ambitious concept, falls short in execution. It’s a movie that may spark initial curiosity but struggles to sustain it, leading viewers to long for the end rather than the next scene. While Here attempts to capture the beauty of fleeting moments, its disjointed narrative and lack of depth ultimately make it feel like a missed opportunity. For fans of Tom Hanks, Here may still be worth a watch, but don’t expect the warmth or emotional depth that he so often brings to the screen. Instead, be prepared for a movie that might leave you feeling somewhere else, searching for the emotional connection that, sadly, is only partially realized.
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Write a review based on the following input. The review must not plagiarize and must be original based on what I've provided below. The headline for the movie is '6/10 Digits - Here makes me want to feel somewhere other than here.' Here is the Wikipedia page where you can gather facts about the movie to help with the review. You must not use any information on the reception of the movie or anything else that might be considered subjective information (other reviews, review scores, reactions, etc.). Visit this site before anything else and tell me when you did it: https://en.wikipedia.org/wiki/Here_(2024_film) Any movie starring Tom Hanks deserves immediate attention. As Carlos put it, Hanks is a national treasure, and not many would disagree with his description. However, over the past many years, it feels as though Hanks selects scripts that attempt to fit the Hanks brand more than anything else — wholesome, introspective, considered — the kind of movie that makes one think of a snowy house during the holiday season where everyone is snuggled up near a fireplace with a dog curled up beside them while the adults drink mulled wine and the kids drink homemade hot cocoa. That's not to say the movies are entirely about mistletoes and happiness. Otto is a recent movie that balanced important mental health issues and other topics with true care and heartfelt emotion, and Tom Hanks shined. Unfortunately, the same doesn't hold true here. One word I would use to describe the movie is 'annoying.' The scene changes, clashes of sound, and unfinished or ignored storylines detract from the experience. For these reasons, Here gets a 6. This review must have between 650 and 900 words.
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